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Main : fiction, India, lesbian, post-colonial


ISBN: 9781875559978
0.12 kgs
198 x 128 mm
157 pp
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Goja: An Autobiographical Myth
Suniti Namjoshi

I had thought once that I felt most at home in a plane in mid-air, but that isn't true. I belong to India and to the West. Both belong to me and both reject me. I have to make sense of what has been and what there is. Suniti Namjoshi traverses the cultures of the East and of the West. She muses on the patterns of her life, and of the impact of colonisation, both the resistances and the acceptances of it. Growing up a princess in the ruling house of Maharashtra, the two most important relationships in her life were with her grandmother, the Ranisaheb, and with Goja, the servant woman who slept beside her bed. When she was ten, her test pilot father was killed in an air accident and Suniti was sent away to boarding school. After working in the Indian Civil Service for some years, she decided that she wanted to be a poet and she moved to the West. In the US and Canada she became just another brown-skinned immigrant without the privileges of her childhood. In beautifully crafted prose, Suniti Namjoshi converses in her head with Goja and grandmother Goldie. They talk about the East and the West, about class privilege and poverty, about language and literacy, and about all the contradictions which Suniti’s life has brought into their relationship. Suniti Namjoshi has a marvellously rich story to tell and she tells it with poetic charm and a light touch. She delves deeply into the paradoxes of her life, and has much to share with others. She is articulate and a fine conversationalist. Suniti Namjoshi is a fabulist, poet, novelist, and now, autobiographer.

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$22.95

Reviews
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'Goja is a beautifully written, sensitive work by an extremely intelligent author. This one should be on everyone's shopping list.'
Caroline Lumley

'… a gorgeous book that is both humorous and brutally honest.’ 

Phoebe Everett, Melbourne Star Observer

‘… a thoughtful – and often brilliant – account about values and stances, about the process of revisiting and understanding events that shape one’s life, and about people whose actions seems justified and inevitable, even when they oppress and hurt.’ 

Chelva Kanaganayakam, The Toronto Review
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