Blog

By: Pauline Hopkins
First we had Ian Thorpe who was popularly known as the ‘Thorpedo’. At this year’s Olympics it has been James ‘The Missile’ Magnussen and the 4 x 100m men’s swim team being dubbed the ‘Weapons of Mass Destruction’. To say nothing of the numerous headlines including phrases such as ‘fails to launch’, ‘settle a score’, ‘battle’ ‘bravery’ ‘warriors’ or the ‘new weapon in the swimming pool’. Flicking through the sports pages of today’s newspaper, there is ‘a fight ahead’, someone is going to ‘lead the charge,’ and another has ‘battled the brigade’. To say nothing of the ‘shootout’, athletes ‘imploding’, others having a ‘showdown’ or a ‘surrender’ and medal winners nicknamed the ‘pistols’.
The use of military terminology in sport is not new. The sporting arena has been termed a battleground on endless occasions. However, it seems to be particularly during the Olympics when the usage of military metaphors and similes escalates to an inescapable level.
So does it matter? Well, in a word, yes. One only has to look back to the infamous Olympic games in Berlin in 1936, and the use of sport by the Hitler regime to make a point about Aryan superiority to know that it does. Hitler saw sport as a training ground for military recruiting and a way of feeding a nationalistic fervour. However, despite its use by a much-reviled figure, the use of military terminology in sport has nevertheless been accepted as the norm.
Using such terminology on a daily basis makes the horrors of real war somehow seem less horrific. The normalising of military terms through the sports pages desensitises us to the outcomes of war. We become so habituated to reading how an athlete destroyed his foes that when we read the same language in the world news pages we are already immune to the impact those words would otherwise have. War can be viewed as a game, like the sports that share its language, making it seem less real and less serious. We can forget that the conquering that happens on the real war fronts, often involving the deaths of civilians, and of women and children, as well as of soldiers, are ones that involve real deaths not temporary sporting ones. Real wars do not have entertainment value. Having a battle reported on the back pages of the newspaper makes the far-away battle of page 12 seem ordinary, acceptable.
Another problem with the use of this terminology is that it encourages a violent macho culture in sport, with admiration of aggression in sport, of combative attitudes. These seem to be far removed from one of the fundamental principles of Olympism, as stated in the Olympic Charter in force as of 8 July 2011 (available on the website) that ‘The goal of Olympism is to place sport at the service of the harmonious development of humankind, with a view to promoting a peaceful society concerned with the preservation of human dignity.’ The aim of cooperative participation in sport, the ‘spirit of friendship, solidarity and fair play’, also espoused in the charter, are undermined by the military terms that are constantly used in sports reporting which is the language of winners and losers and is not about participation.
This language elevates winners and makes winning the top goal whereas we know that in real war everyone is a loser and many losses are irretrievable. The simplicity of the sporting analogy enables us to mistakenly think that only winning counts and that losing is not an option, thereby feeding the philosophy that underpins governments’ continued participation in wars. The national pride attached to winning in sport is out of proportion to its real value, but it stimulates national pride and facilitates a similar desire to win on the real arena of real war where people die. Being labelled a ‘loser’ is almost the worst insult you can throw at someone and this disgust about losing supports continued military participation in world conflicts.
So as Australia contemplates its tally of medals at these Olympics, far less than the number anticipated, expect retribution. There will be consequences, including a lot more money to be fuelled into elite sport (at the expense of money for community participation in sport.) After all, no-one wants to be a loser, do they? View/Add Comments .....
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By: Danielle Binks
Last week Chris Berg wrote a fantastic opinion piece called ‘Let the cult begin’, his take on the symbolism, fundamentalism, militarism and fascism behind the Olympic Games. But he left off sexism.
The Ancient Olympic Games, first recorded in 776 BC, had only male competitors and it wasn’t until the 1900 Paris Games that women were first allowed to compete (and even then only in ‘feminine’ sports like equestrian, tennis and croquet). If you think that things have improved since Ancient Greek times though, think again.
With only a month until the London Olympics were to commence, Saudi Arabian officials released a statement saying they would permit female qualifiers to compete at the Games – the first time in their history. Before 2012, Saudi Arabia, Qatar and Brunei were the only three countries to never allow women to compete in the Olympics.
More and more people have been writing about sexism in the modern Olympic Games, and for London 2012 the criticism began before the first starting pistol even went off.
Scrutiny started in Australia back in March, when Channel Nine (the official broadcaster of the Games) released their line-up of commentators. It was all the familiar faces for Nine; Ken Sutcliffe, Cameron Williams, Karl Stefanovic, Eddie McGuire and Mark Nicholas with the only female representative being Leila McKinnon (who also happens to be the wife of Channel Nine CEO, David Gyngell). Peter Bannan, in his opinion piece, made a point of listing the many qualified female journalists who could have comfortably slotted into Olympics coverage for Channel Nine. And many more pointed out that Karl Stefanovic and Eddie McGuire were not particularly qualified to commentate on the Games anyway.
Social Media has become a new battleground for Olympians, and no doubt a headache for their PR teams. Women seem to be the biggest targets of online trolls, and the jibes have been typically sexist;
And even more sexist outrage started to trickle through as Australian athletes made their way to London. Much was made of the fact that the Australian women’s basketball team flew to London in premium economy class, while our men’s basketball team flew business. This, despite the fact that the women’s basketball team, The Opals, have won more gold (and were taller!) than their male counterparts, The Boomers. This story was rife with metaphor and headlines screamed a sexist summary; “Female athletes fly economy, men fly business” (interestingly, the same thing happened with Japan’s national football team).
Social media erupted in #SexistOlympics talk. But when the initial hubbub died down, voices of reason suggested that it simply came down to budget – The Opals had chosen to spend more of their money on training, rather than airline luxury (which may be why they’ve won more medals too!).
Ad-man, Todd Sampson, spoke about this sexist debacle in the first episode of ABC’s ‘Gruen Sweat’ (taking a critical look at Olympics advertising). Sampson wondered if The Opals had the same (or lower) budget than The Boomers, but explained that regardless of budget allocation there was “… no way you can side-step the sexist aspect of it. I mean, we know from a money perspective and from a popular television sporting perspective, women are certainly second-class citizens.”
That headline – “Female athletes fly economy, men fly business” – seems to be turning into the unofficial underpinning of these Olympic Games, as more and more people express their outrage of, what they consider to be, a very sexist Olympics.
Let’s take a look at the recent media frenzy surrounding Australian swimmer, Leisel Jones. Australian media outlets wanted to open a dialogue about whether or not Jones was prepared for her fourth Olympic games. But the way they went about discussing Jones’s Olympic-readiness was so, so wrong. They posted not one, not two, but fourteen unflattering photos of Jones – taken from various angles (bending over in her bathers – not really a good look for anyone, even on their best day) as well as a number of pics where she looked terrific, but readers were clearly meant to be dismayed at a slight bulge or bump under her t-shirt.
Leaving aside the question “who cares if she is ‘fat’?” what was really bizarre was how many people jumped to the media’s defence – particularly touting the line “it’s not about sexism!”, and explaining that it was meant more as a commentary on her fitness, not image. Those of us who, *gasp*, dared to criticize such blatantly scathing, sexist coverage of one of our female athletes were even accused of overreacting, of being a little bit too precious (the ‘there’s no crying in baseball!’ defence);
One opinion piece pointed out that male athletes receive the same weight-scrutiny, and gave Grant Hackett as a recent swimming example.
Okay. Let’s look at the ‘flab attack’ Hackett received;
Compare to the pictorial evidence put forward for Jones:
Would you say that’s an equal level of scrutiny?
What is Australia’s preoccupation with the Jones fitness debate? Many people pointed out that such close scrutiny of a female athlete’s image (complete with 14 photos of ‘flab’ evidence!) sent a bad body image message, and it did. But it’s a message that has become part and parcel of the modern Olympic Games. A message that says: it’s not what you do; it’s how you look. Never mind that Leisel Jones has eight Olympic medals to her name, three of them gold. Or that she has secured seven World Championship gold medals and every Commonwealth Games medal that she has won has been gold, all seven of them. Never mind that she must still be ‘fighting fit’ to have qualified for these Olympic Games. No, no – she looks terrible when she bends over in her bathers – she must be put out to pasture.
Sex sells, more’s the pity. In ‘Gruen Sweat’ Todd Sampson also said; “I think most marketing, not all of it, but most marketing tends to portray women, sporting athletes, as sexy rather than talented, which is a shame.” He’s absolutely, unfortunately, right. The marketing of female athletes has become more and more degraded in recent years.
In the lead up to the 2008 Olympic Games, female German athletes posed for Playboy. Katharina Scholz (hockey), Petra Niemann (sailing), Romy Tarangul (judo) and Nicole Reinhardt (canoe) all posed topless for Hugh Hefner’s sexist mag;
Last month Lauryn Mark, Australian women's skeet shooter, posed in a bikini and with a rifle for Zoo Weekly Magazine.
The Olympic motto is Citius, Altius, Fortius, a Latin expression meaning "Faster, Higher, Stronger". But it seems that “Flirtier, Hotter, Sexier” is more the motto for female athletes these days.
Then think on the Olympic creed:
The most important thing in the Olympic Games is not to win but to take part, just as the most important thing in life is not the triumph but the struggle. The essential thing is not to have conquered but to have fought well.
Female athletes have fought long and hard to carve a place for themselves in the modern Olympic Games. London 2012 is the first time women from Saudi Arabia, Qatar and Brunei have even been permitted to compete!
Of course there is still much work to be done to eradicate sexism from the Olympic Games. Admittedly a great deal of that work will rely on the media becoming less complacent and sexist in their coverage, but it’s also up to female athletes to realize that their talents are more than skin-deep and commercial-driven. And it’s a matter of appreciating how long and hard the struggle for female representation in the Games has been. Female Olympians should not fetter that hard-won struggle away on Playboy and Zoo covers, nor should the media take it lightly by taking pot-shot pot-belly headlines.
Enough is enough.
A step in the right direction came yesterday, when it was announced that basketball player Lauren Jackson would be the Australian athlete to carry the flag - for the first time in 20 years - at the opening ceremony. It was a nice (overdue) turn of events, after the “Female athletes fly economy, men fly business” headlines – now it’s going to be “Female athlete flies the flag for Australia.”
Now, that’s more like it! View/Add Comments .....
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By Helen Lobato
Last week I caught up with the movie Careless Love. Written by John Duigan it’s about a Sydney university student called Linh played by Nammi Le who works at night as a sex worker to help her immigrant family with their mortgage. Basically it’s just a contemporary expose of a university student/prostitute’s life without any analysis of the institution that is prostitution.
John Duigan decided to write Careless Love after reading a series of reports on how university students were turning to prostitution to cope with the rising cost of living and university fees. Duigan says that he didn’t set out to write a story about sexual slavery or drug abuse, or to depict sex work as glamorous. He was equally determined that Linh wasn’t regarded as a victim. Careless Love presents prostitution as a choice for young women to make; delivering greater income than the usual part-time work available for university students such as waitressing.
Last week there was a plethora of stories in the media about sex work with workers and their supporters arguing for the practice’s legitimacy. The first of these articles concerned the Melbourne Festival of Sex Work. To note the occasion, local sex workers intent on demystifying their profession appeared on a panel open to the public. The Age reports that at the Secret Society Bar in Bourke Street a porn star, an escort, a tantric practitioner, a dominatrix and a rent boy invited members of the public to ask any question about their sex work in exchange for a gold coin donation. Then there was an opinion piece written by Wendy Squires. In Selling your body, not your soul, Squires defends her prostitute friend whom she says is ‘not manipulating affections or promising more than can be delivered.’ Rather she’s ‘a businesswoman exchanging sex for money in a legal and safe environment.
In Careless Love, Linh is an intelligent and beautiful young woman who chooses to do escort work in an effort to pay for her family’s mortgage. Linh is portrayed as strong and in control of her life and her clients. For her, the process of moving into prostitution and exiting happens seamlessly. She is not a victim, for the idea of the prostituted woman as without ‘agency’ is no longer politically correct. According to Ekman, author of Prostitution, the abolition of the victim and post-modernism’s defence of the status-quo, to be a victim is now regarded as shameful. Referring to someone as a victim, according to the post-modernists, is to deny them their ‘agency’.
To be able to defend that women sell their bodies (and that men buy them) one must first abolish the victim and instead redefine the prostitute as a sex worker, a strong woman who knows what she wants, a businesswoman. The sex worker becomes a sort of new version of the ‘happy hooker (Ekman).
But a ‘happy hooker’ is not the experience of prostitutes who don’t have this so-called choice. In reality, prostitution is a job where 71% of women have been subjected to physical violence; 63% have been raped while in prostitution and 89% want to leave and would do so if they could. Women in prostitution have a death rate 40 times higher than the average and are 16 times more likely to be murdered.
If the only information about sex work is obtained from our current media then the purchase of women’s bodies for sex will continue to be regarded as normal. But rather than prostitution being inevitable and unstoppable, it is ’socially constructed out of men’s dominance and women’s subordination’ (Jeffreys 1997, 3).
When Linh’s double life is finally revealed there is disapproval mostly from her family but also from her boyfriend. Her parents are ashamed that they have been rescued by prostitution money and her boyfriend tries unsuccessfully to forgive and forget. But why is it that the prostitute, and in this case Linh, who is condemned for her part in the prostitution contract? What about the men who use her and the millions of other women who are trafficked and prostituted.
These recent media depictions of sex work leave so much to be desired.
References: Jeffreys, S 1997, The Idea of Prostitution, Spinifex Press, North Melbourne.
First published: http://allthenewsthatmatters.wordpress.com/
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By Helen Lobato
For some women, the news that Hormone Replacement Therapy is OK, has come 10 years too late. According to the host of 3AW’s Talking Health, Dr Sally Cockburn; “those of us who have borne the hormonal burden for our families all our adult lives and who are now in our 50s deserve better.”
Cockburn’s lament comes on the heels of a report discrediting a previous study’s finding that HRT for menopause raised the risk of blood clots, breast cancer and strokes. In July 2002, the publication of the first Women’s Health Initiative (WHI) report caused a dramatic drop in HRT use throughout the world. Now a major reappraisal by international experts, published in the peer-reviewed journal Climacteric (the official journal of the International Menopause Society), shows how the evidence has changed over the last 10 years, and supports a return to a “rational use of HRT, initiated near the menopause”.
When Jenni Murray heard that women in their 40s and 50s can now safely take HRT to help cope with their symptoms, she became very concerned. The 62 year old author thinks that HRT gave her breast cancer. At the age of 45, Murray began HRT and the various symptoms that plagued her such as the hot flushes, the night sweats and low moods miraculously disappeared. While enjoying her symptom free life, Murray managed to ignore the warnings that came from the Million Women Health study and after ten years of using HRT, she was diagnosed with breast cancer.
Menopause occurs when menstruation stops and fertility ends. Common understanding of the process is that the menopausal ovaries are useless and defunct and that diminished and inadequate oestrogen levels need to be supplemented in the form of HRT to ward off the terrible ravages of ageing such as osteoporosis, heart disease and lack of sexual libido. However this is incorrect for our ovaries do not shrivel up but continue to produce hormones, including oestrogens throughout the life cycle.
According to Sherrill Sellman author of Hormone Heresy:
Millions of menopausal women flock to their doctors’ offices each year seeking relief from such complaints as hot flushes, night sweats, bloating, indigestion, allergies, headaches, insomnia, fatigue, depression, high blood pressure, weight gain, head hair loss, facial hair growth, mood swings, aging skin, irritability, foggy thinking, lack of concentration, anxiety attacks, heart palpitations, bone loss, and heavy bleeding. The common panacea prescribed for all these symptoms is usually HRT. All these presenting symptoms are lumped together into the menopausal pigeonhole, oestrogen deficiency is the diagnosis and synthetic estrogen replacement becomes the cure. An obvious and simple solution for hormonal imbalance! Or so we are led to believe.
It was after the Second World War that doctors first began to argue for the maintenance of high levels of hormones for menopausal women and by the 1960s pharmaceutical companies began to spread the myth that menopause was a medical condition. Prior to this time menopause was not a disease but a welcome stage in women’s lives that signalled the end of fertility.
Sellman claims that it is not a lack of oestrogen that is causing the ‘menopausal symptoms’ but an excess.
Unfortunately, women have been intentionally led on a merry hormone goose chase. While medicalizing and pathologising of menopausal women with potent, carcinogenic and dangerous steroid drugs has filled the coffers of the drug companies and doctors alike, the real cause of these health problems has been ignored. The World Health Organization has found that an overweight post menopausal woman has more oestrogen circulating in her body than a skinny pre-menopausal woman!!
Western women now have some of the highest oestrogen levels ever recorded in history due to exposure to medications such as the Pill and HRT along with estrogen mimics found in pesticides, herbicides, and plastics, as well as the hormones injected into feed lot cattle and farmed fish.
In HRT Licensed to Kill and Maim, author and investigative journalist Martin Walker introduces his readers to a little known world of women severely damaged by hormone replacement therapy prescribed for them by their trusted medical practitioners. When Ros, a busy wife, mother and carer told her doctor she was experiencing hot flushes and dizziness, he diagnosed the menopause and prescribed hormone replacement therapy. Six months later with Ros’s periods becoming heavier, her breasts enlarging and her moods worsening, the HRT dose was increased and at the age of 42 Ros had her uterus and ovaries removed. Her doctor had failed to tell her that her symptoms could have been caused by high, not low levels of circulating oestrogen and it was only on Ros’s insistence that her levels were finally tested and found to be extraordinarily high – measuring 2110 with normal around 400.
Over the past few decades HRT has become a drug for which the need has been created, rather than it being a therapy for a legitimate ailment. Menopause is simply the cessation of the menses, rather than some pathological condition for which we must be treated. In spite of the fact that exogenous oestrogens have been linked to cancers and other health conditions for many years, profit-hungry drug companies have continued to market HRT for the most trivial of reasons with major long - term side effects.
Following the publication of the 2002 Women’s Health Initiative study 65 per cent of women on hormone therapy stopped taking HRT but two years later the message had faded and one in four women were back on the therapy. Now that this latest review recommends that the “classical use’ of hormone therapy be initiated near the menopause benefitting most women who have indications including significant menopausal symptoms or osteoporosis, it will be interesting to see how many women return to the HRT fold.
http://allthenewsthatmatters.wordpress.com/
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By Pauline Hopkins
On morning radio this week, the presenters ran a quick radio telephone poll asking whether female listeners would rather be Craig Thompson’s wife or Peter Slipper’s wife. (What a choice, indeed, you may ask!) The verdict was that women would rather be Peter Slipper’s wife because “it wouldn’t be their fault.” Fault, you ask?
Well, the thinking went like this. If your male partner has an affair or liaison or tryst with another man, that means he is a closet gay. So no matter now pleasing you are as a woman, you would never satisfy him because his “problem” was him, not you or your sexual appeal or lack thereof.
With Craig Thompson, however, and his purported use of the services of female prostitutes, there is an implicit responsibility on the wife for his unfaithful behaviour because, to put it bluntly, she obviously wasn’t hot enough. Or so the morning radio theory went.
So let’s get this straight. Men behaving badly, whether allegedly fraudulently with credit cards or in breech of their marital pledges. And whose behaviour also comes under scrutiny? The not-hot-enough wife who “drove” him too it? Pleeeeease!
Anyone who doubts the need for feminism or the existence of misogyny just needs to look at this example. When women are held to account for the bad behaviour of their male partners, it is clear that there is still a need for ongoing scrutiny about the norms that operate in our societies, including free democracies.
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Out Now
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The women in this book may be among the last to have babies without the medical stamp of approval. Today's...
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